Sir Roger Moore and Jennie Linden
The Saint (1960–1969)
Worldwide fame arrived after Lew Grade cast Moore as Simon Templar in a new adaptation of The Saint, based on the novels by Leslie Charteris. Moore said in an interview, during 1963, that he wanted to buy the rights of Leslie Charteris's character and the trademarks, but didn't have enough money. He also joked that the role was supposed to have been meant for Sean Connery who was unavailable. The television series was made in the UK with an eye on the American market, and its success there (and in other countries) made Moore a household name - and in spring 1967 he eventually had reached the level of an international top star. It also established his suave, quipping style which he would carry forward to James Bond. Moore would also go on to direct several episodes of the later series, which moved into colour in 1967.
The Saint ran from 1961 for six series and 118 episodes, making it (in a tie with The Avengers) the longest-running series of its kind on British television. However, Moore grew increasingly tired of the role, and was keen to branch out. He made two films immediately after the series had ended: Crossplot, a lightweight 'spy caper' movie, and the more challenging The Man Who Haunted Himself (1971). Directed by Basil Dearden, it gave Moore the opportunity to demonstrate a wider versatility than the role of Simon Templar had allowed, although reviews at the time were lukewarm, and both did little business at the box office. Despite the initial reviews, The Man Who Haunted Himself is now considered a very underrated film, and the role is considered one of Moore's finest performances among his fans