Judd Hamilton & Caroline Munro - Genuine Signed Autograph 7491
Tom Baker Signed 10 x 8 Photograph
This is an orginal autograph and not a copy.
Doctor Who (1974–1981)
In 1974, Baker took on the role of the Doctor from Jon Pertwee. He was recommended to producer Barry Letts by the BBC's Head of Serials, Bill Slater, who had directed Baker in Play of the Month. Impressed by Baker on meeting him, Letts was convinced he was right for the part after seeing his performance in The Golden Voyage of Sinbad. Baker was working on a construction site at the time, as acting jobs were scarce. Initially he was dubbed "Boiler Suit Tom" by the media, as he had been supplied for a press conference with some old studio set clothes to replace his modest garments.
He quickly made the part his own. As the Doctor, his eccentric style of dress and speech — particularly his trademark long scarf and fondness for jelly babies — made him an immediately recognisable figure, and he quickly caught the viewing public's imagination. Baker played the Doctor for seven consecutive seasons over a seven-year period, making him the longest-serving actor in the part on-screen. Baker himself suggested many aspects of the Fourth Doctor's personality. The distinctive scarf came about by accident: James Acheson, the costume designer, had provided far more wool than was necessary to the knitter, Begonia Pope, and Ms. Pope knitted all the wool she was given; it was Baker who suggested that he wear the resulting — ridiculously overlong — scarf.
The incarnation played by Baker is often regarded as the most popular of the Doctors. In polls conducted by Doctor Who Magazine, Baker has lost the "Best Doctor" category only twice: once to Sylvester McCoy in 1990, and once to David Tennant in 2006.
Tom Baker is not known to be directly related to Colin Baker, who played the Sixth Doctor in Doctor Who, nor to Bob Baker, the script-writer for many of the series' episodes.
Baker's sense of humour is like that of the character he played. When asked how he felt about having a star named after him, Baker quipped, "I'm over the moon!" In a poll published by BBC Homes and Antiques magazine in January 2006, Baker was voted the fourth most eccentric star. He was beaten by Björk, Chris Eubank and David Icke.
He continues to be associated with the Doctor, appearing on documentaries such as The Story of Doctor Who and Doctor Who Confidential and giving interviews about his time on the programme. He reappeared as the Doctor for the 1993 charity special Dimensions in Time and audio for the PC game Destiny of the Doctors. He gets interviewed often in documentaries on the extras of Doctor Who DVD releases from his era as the Doctor.
In a 2004 interview regarding the series' revival, Baker suggested that he be cast as the Master. In a 2006 interview with The Sun newspaper, he claims that he has not watched any episodes of the new series because he "just can't be bothered". In June 2006, Baker once again expressed interest in the role in a guest column for Radio Times, noting that he "did watch a little bit of the new Doctor Who and I think the new fella, Tennant, is excellent."
While Peter Davison, Colin Baker, Sylvester McCoy and Paul McGann have all reprised their roles for audio adventures produced since the 1990s by Big Finish (and sometimes the BBC) Baker had until 2009 declined to voice the Doctor, saying he hadn't seen a script he liked. However, in July 2009, the BBC announced that Baker would return to the role for a series of five audio dramas, co-starring Richard Franklin as Captain Mike Yates, which would begin release in September. The five audios comprise a single linked story under the banner title Hornets' Nest, written by well-known author Paul Magrs.  Baker has also filmed inserts for a video release of the unfinished Shada and also provided narration for several BBC audio releases of old Doctor Who stories.
More recently Baker has been involved in the reading of old Target novelisations in the BBC Audio range of talking books, "Doctor Who (Classic Novels)". Doctor Who and the Giant Robot was the first release in the range read by Baker, released on 5 November 2007, followed by Baker reading Doctor Who and the Brain of Morbius'(released 4 February 2008), Doctor Who and the Creature from the Pit (released on 7 April 2008) and Doctor Who and the Pyramids of Mars (released 14 August 2008).
According to Munro, her career took off in 1966 when her mother and photographer friend entered some headshots of her to Britain's Evening News (London) "Face of the Year" contest.
"I wanted to do art. Art was my love. I went to art school in Brighton but I was not very good at it. I just did not know what to do. I had a friend at the college who was studying photography and he needed somebody to photograph and he asked me. Unbeknownst to me, he sent the photographs to a big newspaper in London. The famous fashion photographer, David Bailey, was conducting a photo contest and my picture won."
This led to modelling chores, her first job being for Vogue magazine at the age of 17. She moved to London to pursue top modelling jobs and became a major cover girl for fashion and TV advertisements while there. Decorative bit parts came her way in such films as Casino Royale (1967) and Where's Jack? (1969). One of her many photo ads got her a screen test and a one-year contract at Paramount where she won the role of Richard Widmark's daughter in the comedy/western A Talent for Loving (1969).
1969 proved to be a good year for Munro, because it was then that she began a lucrative 10 year relationship with Lamb's Navy Rum. Her image was plastered all over the country, and this would eventually lead to her next big break.
"The most challenging scenes involved lying in the coffin with Vincent," she reveals. "You see, I’m allergic to feathers and I was attired in this beautiful negligee — but it was covered with feathers! It took a great deal of willpower not to sneeze or sniffle. On occasion, I would simply have to sneeze and this would result in having to do another take."
She would reprise the role in the sequel, Dr. Phibes Rises Again in 1972. In the same year, she was referred to in Colin Blunstone's song "Caroline Goodbye", a song about the break-up of their relationship.
 Hammer Horror films
Hammer Films CEO, Sir James Carreras, spotted Munro on a Lamb's Navy Rum poster/billboard. He asked his right hand man, James Liggett, to find and screen test her. She was immediately signed to a one-year contract. Her first film for Hammer proved to be something of a turning point in her career. It was during the making of Dracula AD 1972 that she decided from this film onward she was a full-fledged actress. Up until then, she was always considered a model who did some acting on the side.
Munro completed her contract for Hammer with Captain Kronos – Vampire Hunter in 1974. Directed by Brian Clemens, she plays the barefoot gypsy girl Carla. In Paramount Pictures DVD commentary, Clemens explains that he envisioned the role as a fiery, Raquel Welch type, red-head. Hammer pushed for Munro, and the script was adapted accordingly.
Munro has the distinction of being the only actor ever signed to a long-term contract by Hammer Films. She would later turn down the lead female roles in Hammer's Dr. Jekyll and Sister Hyde, Frankenstein and the Monster from Hell, and the unmade Vampirella because they required nudity.
 The Golden Voyage of Sinbad
"I got the part — I had been signed by Hammer, for one year, for a contract, out of which I did two films, one being Dracula AD 1972, and the second one being Captain Kronos – Vampire Hunter, which, kind of, would come full-circle, to Sinbad. It was written and directed by Brian Clemens, who wrote the screenplay for The Golden Voyage of Sinbad, so, I was lucky enough to be chosen for Captain Kronos, and they were searching for somebody to do Sinbad, and they wanted a big name, somebody American, or well-known, but Brian said "No". He kept lobbying Charles Schneer [producer] and Ray Harryhausen — saying: 'I think you should come and look at the rushes, and see what you think, because I think she's right'. So, they said "No", but, eventually, Brian persuaded them to do that, and they saw the rushes, and that was how I got the part. So, it was lovely, like work-out-of-work. I was very lucky to have done that."
Other appearances during this time included I Don't Want to Be Born (1975) with Joan Collins, and At the Earth's Core (1976) with Peter Cushing and Doug McClure. She appeared also as Tammy, a nursing employee of a sinister health farm, in "The Angels of Death" (1977), an episode of the TV series The New Avengers that featured also rising stars Pamela Stephenson and Lindsay Duncan. This was notable, among other things, for a vicious fight between Munro and Joanna Lumley's Purdey.
 James Bond
In 1977, Munro turned down the opportunity to play villainess Ursa in Superman in favour of what would become her most celebrated film appearance, the ill-fated helicopter pilot Naomi in the Bond film The Spy Who Loved Me, who seductively winks at Bond while trying to gun him down from her helicopter. In her role as Naomi, she holds the distinction of being the first woman ever undeniably killed by James Bond. Cubby Broccoli urged Caroline to make her way to America in search of more lucrative offers. She declined, preferring to stay close to her family.
 Late 1970s and 1980s
Munro continued to work in numerous British and European horror and science fiction films through the 1970s and 1980s, most notably Starcrash (1979) with David Hasselhoff, Christopher Plummer and Marjoe Gortner.
Munro's career continued to thrive well in the 1980s, appearing in many slasher and Eurotrash productions. Her first film shot on American soil was the William Lustig production Maniac (1980). This was soon followed by the "multi-award winning, shot during the Cannes Film Festival" shocker The Last Horror Film (1982) (directed by David Winters), in which she was reunited with her Maniac co-star Joe Spinell. She had a cameo role in the cult classic slasher Don't Open 'Til Christmas as a singer (1984), Slaughter High (1986), Paul Naschy's Howl of the Devil (1987), and Jess Franco's Faceless (1988), followed in rapid succession. She reteamed with Starcrash director, Luigi Cozzi, for Il Gatto nero in 1989. This would be Caroline's last major film appearance.
Throughout the 1980s, Munro was often cited by the press as being a candidate for the co-starring role in a proposed (but never produced) feature film based upon Doctor Who. The feature was being co-produced by her second husband George Dugdale. At various times, press reports linked her with numerous actors touted to play the role of The Doctor.
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